Wednesday, 27 January 2016

#stileinprogress 1968-1998. published by l'uomo #vogue. I'm not gonna lie- it's the best #menswear book on the planet. mail hi@november-books.com if you want it


#eltonjohn in #tommynutter from #stileinprogress 1968-1998. published by l'uomo #vogue. mail hi@november-books.com if you want it


#milesdavis in '72. from #stileinprogress 1968-1998. published by l'uomo #vogue. mail hi@november-books.com if you want it


so much good stuff in today. link in profile- check it out!


from #bruceweber images of men and women, 1983. his rarest.


#annaliesstrba from today's list. head over to the site to check out all the new stuff!


yup that's the one. #masahisafukase #solitudeofravens 1986. mail hi@november-books.com if you want it


eyes. from #masahisafukase #solitudeofravens 1986. mail hi@november-books.com if you want it


chaos. from #masahisafukase #solitudeofravens 1986. mail hi@november-books.com if you want it


hullo again. #thesmiths 1994, with the 6 photo cards. mail hi@november-books.com if you want it


#morrissey being #morrissey from #thesmiths 1994. mail hi@november-books.com if you want it


oh hey! it's back again. #thesmiths 1994. mail hi@november-books.com if you want it


Tuesday, 26 January 2016

Neil Anderson - The Poser - Issue 4


Very special, and scarce zine started in 1979 by Anderson, which John Peel described at the time as 'worth getting hold of'. Anderson was a photographer rather than a journalist, which makes the poser more of a photographic document than a fanzine. Though it is a very DIY publication the layout, printing and photography is extremely high quality, and makes for a distinct visual record of what was a fertile music scene in London at the time. This issue covers the Spizz Energi, Bodysnatches, UK Subs and- Dolly Mixture(!!!) The images are interspersed with short reviews of the gigs attended, and tips on gig photography. As a photographer Anderson seems more interested in comnposition, and bands that look visually striking, though many of the groups themselves are now considered essential in the punk and new wave canon. 

Neil Anderson - The Poser - Issue 8


Very special, and scarce zine started in 1979 by Anderson, which John Peel described at the time as 'worth getting hold of'. Anderson was a photographer rather than a journalist, which makes the poser more of a photographic document than a fanzine. Though it is a very DIY publication the layout, printing and photography is extremely high quality, and makes for a distinct visual record of what was a fertile music scene in London at the time. This issue covers the MoDettes, Fad Gadget, Basement 5, Bodysnatchers, the Go-Go's and Eric Blake. The images are interspersed with short reviews of the gigs attended, and tips on gig photography. As a photographer Anderson seems more interested in cmnposition, and bands that look visually striking, though many of the groups themselves are now considered essential in the punk and new wave canon. 

Neil Anderson - The Poser - Issue 7


 Very special, and scarce zine started in 1979 by Anderson, which John Peel described at the time as 'worth getting hold of'. Anderson was a photographer rather than a journalist, which makes the poser more of a photographic document than a fanzine. Though it is a very DIY publication the layout, printing and photography is extremely high quality, and makes for a distinct visual record of what was a fertile music scene in London at the time. This issue covers Siouxie, Penetration, Joe Strummer, Spizz, Honey Bane. The images are interspersed with short reviews of the gigs attended, and tips on gig photography. As a photographer Anderson seems more interested in cmnposition, and bands that look visually striking, though many of the groups themselves are now considered essential in the punk and new wave canon.

Neil Anderson - The Poser - The First 2 issues


Very special, and scarce zine started in 1979 by Anderson, which John Peel described at the time as 'worth getting hold of'. Anderson was a photographer rather than a journalist, which makes the poser more of a photographic document than a fanzine. Though it is a very DIY publication the layout, printing and photography is extremely high quality, and makes for a distinct visual record of what was a fertile music scene in London at the time. The first 2 issues cover the Mo-Dettes, Iggy Poop, The Ruts, The Underground sound of Chippenham, The Slits, Penetration, The Clash, Siouxie and so on. The images are interspersed with short reviews of the gigs attended, and tips on gig photography. As a photographer Anderson seems more interested in cmnposition, and bands that look visually striking, though many of the groups themselves are now considered essential in the punk and new wave canon.