the boy #riverphoenix 1990. from #gusvansant 108 portraits, 1992. mail hi@november-books.com if you want it

surrealism vs glamour. #anitarussell by #aramassa with the help of #antoniolopez titled american parody, published 1977. mail hi@november-books.com if you want it

censored #anitarussell by #aramassa with the help of #antoniolopez from american parody, 1977. mail hi@november-books.com if you want it

#anitarussell by #aramassa with the help of #antoniolopez from american parody, 1977. mail hi@november-books.com if you want it

if you don't like the smiths this is a brilliant book- and you soon will. if you do like the smiths it's off the scale amazing. #thesmiths published 1994. mail hi@november-books.com if you want it

yep. it's then. 6 photo cards inserted into #thesmiths published 1994. mail hi@november-books.com if you want it

mozza. from #thesmiths published 1994. mail hi@november-books.com if you want it

#andreabranzi pattern research project #decorattivo published 1976. ITS AN ABSOLUTE STONKER! mail hi@november-books.com if you want it

no dice. #andreabranzi brilliant pattern research project #decorattivo published 1976. mail hi@november-books.com if you want it

oh hullo again! #andreabranzi brilliant pattern research project #decorattivo published 1976. mail hi@november-books.com if you want it

few books are this good. #findesiecle 1990. mail hi@november-books.com if you want it

zsa zsa, paris, 1988. from #findesiecle 1990. mail hi@november-books.com if you want it

mr. plus, jp and mickey, 1987. from #findesiecle 1990. mail hi@november-books.com if you want it

rare so rare. most copies that did survive are in pieces. #screentests a diary by #andywarhol and #geraldmalanga kulchur press 1967. mail hi@november-books.com if you want it

#ediesedgwick screen test. from #screentests a diary by #andywarhol and #geraldmalanga 1967. mail hi@november-books.com if you want it

#nico screen test. from #screentests a diary by #andywarhol and #geraldmalanga 1967. mail hi@november-books.com if you want it

when @wildlifepress is on the job it's a job done. #angelsoflight by #tashishimada set of 10 postcards published in an edition of 125 copies with #flyingbooks tokyo. dont sleep on this one! mail hi@november-books.com if you want it

phwoooar! #angelsoflight by #tashishimada set of 10 postcards published in an edition of 125 copies. dont sleep on this one! mail hi@november-books.com if you want it

early 70s #angelsoflight by #tashishimada set of 10 postcards published in an edition of 125 copies. dont sleep on this one! mail hi@november-books.com if you want it

an overview of the sixties scene. juergen seuss #londonscene 1969. mail hi@november-books.com if you want it

london youth. from #londonscene 1969. mail hi@november-books.com if you want it

that #yokoono from #londonscene 1969. mail hi@november-books.com if you want it

nice. very nice indeed. by #robertmapplethorpe object 2013. printed in an edition of 1000 copies. mail hi@november-books.com if you want it

#robertmapplethorpe from object 2013. mail hi@november-books.com if you want it

collage by #robertmapplethorpe from object 2013. mail hi@november-books.com if you want it

File Magazine Vol.4 No.2 Fall 1979

“An alternative to the Alternative Press". General Idea's File gained a reputation far beyond its Toronto underground roots. It was subversive to the core, pilfering freely from mainstream media and culture, while maintaining close attention to design issues and the use of experimental layouts. File “..anticipated many queercore and punk zines of the later 70s and 80s…as well as more recent mass-media interventions, such as the widely distributed, anti-globalist Vancouver-based publication Adbusters.”  - Peter Gallo. An iconic cover- Billy at The Colour bar lounge- one of the most famous images produced by GI. Inside- Queen West, Insect sex, Kathy Acker, Mapplethorpe, Francesco Clemente and the clichettes.

File Magazine Vol.3 No.1 Autumn 1975

“An alternative to the Alternative Press". General Idea's File gained a reputation far beyond its Toronto underground roots. It was subversive to the core, pilfering freely from mainstream media and culture, while maintaining close attention to design issues and the use of experimental layouts. File “..anticipated many queercore and punk zines of the later 70s and 80s…as well as more recent mass-media interventions, such as the widely distributed, anti-globalist Vancouver-based publication Adbusters.”  - Peter Gallo. Beautiful Glamour special.

File Magazine Vol.5 No.3 Spring 1982

“An alternative to the Alternative Press". General Idea's File gained a reputation far beyond its Toronto underground roots. It was subversive to the core, pilfering freely from mainstream media and culture, while maintaining close attention to design issues and the use of experimental layouts. File “..anticipated many queercore and punk zines of the later 70s and 80s…as well as more recent mass-media interventions, such as the widely distributed, anti-globalist Vancouver-based publication Adbusters.”  - Peter Gallo. The XXX issue with Boyd McDonald (STH aka the manhattan review of unatural acts), Les Krims, Cindy Sherman, Dali, that perv Pierre Molinier plus the usual miss general idea and toronto goss.

No Mag no.6

Scarce, and brilliant issue of Kahlberg's highly influential no mag, started in 1978. Kahlberg was quite a controversial figure, but an essential part of the L.A. punk and new wave scene in the late 70s. Of No Mag, he stated; "We wanted to make the most evil, nihilistic magazine ever,”- and it is pretty hardcore, No Mag also documents what was fairly ignored and underground at the time, but later became hugely influential on popular culture. Raymond Pettibon special!

No Mag no.8

Scarce, and brilliant issue of Kahlberg's highly influential no mag, started in 1978. Kahlberg was quite a controversial figure, but an essential part of the L.A. punk and new wave scene in the late 70s. Of No Mag, he stated; "We wanted to make the most evil, nihilistic magazine ever,”- and it is pretty hardcore, No Mag also documents what was fairly ignored and underground at the time, but later became hugely influential on popular culture. Wonderful art direction in this issue, very new wave cut and paste, with contributions from Search and Destroy (Vali Vale) plus the usual obscenity, guns, genitals and a flexi!